Anna Caterina Antonacci
As one of the finest sopranos of her generation Anna Caterina won prestigious prizes at the Voci Verdiane Callas and Pavarotti competitions. French Republic awarded her with the highest possible national honor, 'Chevalier de l'Ordre National of the Legion d'Honneur'. Era la Notte, her debut album for Naive has been a massive hit. In addition to this she released her own album, L'Alba separa"Luce La Ombra" (with Donald Sulzen), featuring Tosti Cilea's and Hahn's songs for Wigmore Live. Anna Caterina received the Accademici Effettivi award in 2020 by the distinguished panellists of the General Assembly of the Academicians of Santa Cecilia. Anna Caterina played the role Madame de Croissy of Poulenc's Dialogues des Carmelites to date in the 22/23 seasons at Teatro dell'Opera di Roma, in a production directed by Emma Dante. The role will be reprised by Anna Caterina Antoniocci at the Bayerische Staatsoper later this season. Anna Caterina Antonacci is an Italian soprano known for roles in the bel-canto and Baroque repertories. The main subject of her work was the Rossini Canon. Antonacci has been mezzo-soprano for several years. Anna Caterina Antonacci, 62 years of age, is currently not known for her height. Anna Caterina Antonacci height, weight, and body measurements will be updated shortly. She is not dating anyone. She has not dated any person. We don't have information about her prior relationship or commitment. The Database shows that she doesn't have children. Her net worth is expected to increase dramatically. How much money is Anna Caterina Antonacci's net worth, when she is the age of 62 valued at? Anna Caterina Antonacci makes most of her earnings by performing. Anna Caterina Antonacci was born on 5th April 1961 and is a soprano from Italy. She has played roles in the Baroque repertoire as well as belcanto. The mezzo-soprano focused on Rossini's canon over long periods. Antonacci started her career as Rosina in Arezzo in 1986, after having studied in Bologna. She was profiled at length in the New York Times in March 2012.
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